'I paint for everyone' - the making of Utopia art, Chrischona Schmidt
Resource Information
The instance 'I paint for everyone' - the making of Utopia art, Chrischona Schmidt represents a material embodiment of a distinct intellectual or artistic creation found in Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS).
The Resource
'I paint for everyone' - the making of Utopia art, Chrischona Schmidt
Resource Information
The instance 'I paint for everyone' - the making of Utopia art, Chrischona Schmidt represents a material embodiment of a distinct intellectual or artistic creation found in Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS).
- Label
- 'I paint for everyone' - the making of Utopia art, Chrischona Schmidt
- Statement of responsibility
- Chrischona Schmidt
- Bibliography note
- Includes bibliographical references : pages 355-373
- Carrier category
-
- volume
- computer disc
- Carrier MARC source
- rdacarrier
- Content category
-
- text
- still image
- Content type MARC source
- rdacontent
- Contents
- Part 1 : Locating art from Utopia in literature and in public discourse; Art from Utopia in literature: ethnography of art and artists from Utopia; Womne's role and land rights; Embodiment and women's ritual; Affect and kinesis -- Art from Utopia in public discourse : the art market and exploitation of artists; The issue of authenticity; Inclusion of Indigenous art into the Western art canon; Modernity in Indigenous art; Conclusion: Myth-making and universal expressions; Agency of artists -- Utopia - geography and history of the place; Utopia: the place and its people; Utopia's place in history: an overview from first contact with Europeans until 1980; A historical overview of the development of the Utopia art movement: the "inner" art world: introduction, from batik to paintings; The art centre story -- A historical overview of the development of the Utopia art movement: the "outer" art world: introduction; Art dealers and their networks: Rodney Gooch, Marc Gooch and Janet Pierce - their network; Donald and Janet Holt; Tim Jennings and the Mbantua Gallery network; Art coordinators and their networks; Hank Ebes and his network; Conclusion -- Part II: Agency of artists : Interactions with the art world; Structures and art facilities in Utopia: the art centre model and its failings in Utopia; Constraints of everyday life in Utopia and its impacts on the creation of artworks -- Art dealers and their relationships with Utopia artists: Dealers of fine art: excursus: Christopher Hodges - an example of a fine art dealer; Dealers of commodity art; Excursus: an example of an art-as-commodity dealer: Tim Jennings - gallery owner and art dealer; Dealers in between categories: Donald and Janet Holt; Relationships between art dealers and artists; Relationships between art dealers; One-on-one-artist-dealer relationships and the rise of the solo artist; Conclusion -- Art practices in Utopia: introduction; What is an artist?; Artists and "occasional art producers"; Quality markers; What do artists paint for whom?; Artists as agents; Conclusion -- Part III: The diversity of artworks: Three currents in Utopia art: everyday life in art from Utopia: introduction; Bushtucker and bush medicine stories; Narrative paintings: children's story books and the Altyerr hunting series, camp scenes, massacre paintings, Captain Cook series, football paintings and sculptures; The everyday in sculptures; Conclusion -- Ritual art from Utopia: introduction; Awely and women's ceremonies: different approaches to awely and women's ceremonies, painting awely on bodies and canvas, awey sculptures; Men's rituals : men's body designs and ritual sculptures; Kwertaty and atham-areny spirit sculptures : kwertaty and atham-areny spirit sculptures; Conclusion -- Abstraction in art from Utopia: introduction; Bushtucker stories; Dreaming stories; Conclusion -- Life, art, career and visual repertoire of Emily Kam Kngwarray : introduction; Who was Emily Kam Kngwarray?; The discourse of the art world around Kngwarray's art; Themes, form and innovation; Subject matter, themes and topics; Conclusion -- Emily Kam Kngwarray and the artists of Alhalker : introduction; Emily Kam Kngwarray's painting school?; Alhalker artists; Emily Kam Kngwarray's legacy; Conclusion -- Appendix : collections visited from March 2008 until December 2011; Fieldwork highlights
- Dimensions
- 30 cm
- Extent
-
- xxxiii, 373 pages
- 1 cd-rom
- Governing access note
- Open access - Reading ; Open copying for private study, Closed quotation. Not for inter library loan
- Immediate source of acquisition
- Author
- Media category
-
- unmediated
- computer
- Media MARC source
- rdamedia
- Other physical details
-
- coloured illustrations, maps
- coloured illustrations, maps
- Record ID
- u449298
- Stock number
- MAR14/029
Context
Context of 'I paint for everyone' - the making of Utopia art, Chrischona SchmidtInstantiates
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://aiatsis.library.link/resource/C3SUy_MRB60/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://aiatsis.library.link/resource/C3SUy_MRB60/">'I paint for everyone' - the making of Utopia art, Chrischona Schmidt</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://aiatsis.library.link/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://aiatsis.library.link/">Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS)</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Instance 'I paint for everyone' - the making of Utopia art, Chrischona Schmidt
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://aiatsis.library.link/resource/C3SUy_MRB60/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://aiatsis.library.link/resource/C3SUy_MRB60/">'I paint for everyone' - the making of Utopia art, Chrischona Schmidt</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://aiatsis.library.link/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://aiatsis.library.link/">Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS)</a></span></span></span></span></div>