Coverart for item
The Resource On the reception of Aboriginal art in German art space : art historical and anthropological perspectives, Friederike Krishnabhakdi-Vasilakis

On the reception of Aboriginal art in German art space : art historical and anthropological perspectives, Friederike Krishnabhakdi-Vasilakis

Label
On the reception of Aboriginal art in German art space : art historical and anthropological perspectives
Title
On the reception of Aboriginal art in German art space
Title remainder
art historical and anthropological perspectives
Statement of responsibility
Friederike Krishnabhakdi-Vasilakis
Creator
Contributor
Subject
Genre
Language
eng
Cataloging source
NWU
http://library.link/vocab/creatorName
Krishnabhakdi-Vasilakis, Friederike
Dewey number
709.43
Illustrations
illustrations
Index
no index present
Literary form
non fiction
Nature of contents
  • bibliography
  • theses
http://library.link/vocab/relatedWorkOrContributorName
University of Wollongong
http://library.link/vocab/subjectName
  • Mawurndjul, John
  • Art
  • Visual culture
  • Imperialism in art
  • Art, Modern
  • Ethnology
  • Art, Aboriginal Australian
  • Art museums
  • Cultural relations
Label
On the reception of Aboriginal art in German art space : art historical and anthropological perspectives, Friederike Krishnabhakdi-Vasilakis
Link
http://ro.uow.edu.au/theses/3029/
Instantiates
Publication
Note
  • Includes glossary
  • "This book is based on my Ph.D research in creative arts which I undertook at the University of Wollongong, New South Wales, in 2009"
Bibliography note
Includes bibliography: p. 301-339
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Vol. 1 : Introduction : problem; aim of thesis; approach and theoretical frame; overview: structure of thesis -- Part one: The background: 1761-1871 culture and enlightenment : Historical background for the reception of Aboriginal art in Germany; Defining culture: historical aspects of culture; Identity politics and nation-building processes -- Art and science: cultural parameters through art history and ethnology: art history as hierarchical classification system; Art history as scientific analysis of art; Ethnology - a discipline evolves; Ethnology and Bildung; Images of other cultures - paintings by Eugene von Guerard -- Part 2: 1871-1900s German colonialism, nation-building and the modernist project : cultural reading of the self and other; Representation of cultures and the articulation of Other in literature, art and volkerschauen -- Pt 3: 1900-1945 : From cosmopolitanism to Germanness in art in the Third Reich -- Pt 4: 1950-2000s : The re-shaping of identity: art as demarcation: Division of art into European (art history) and non-European art (ethnology); Art history: a specialised reading of art; A paradigm of framing the Indigenous: analphabetic equals non-historical -- Pt 5: Cultural representation, incommensurability, authenticity: the dualism of literacy and orality : cultural representaton, incommensurability and the notion of authenticity -- Pt 6: Literacy and orality: positioning of art through institutional space : Reading Aboriginal art across the borders of literacy: Oral systems of knowledge -- Pt 7: Aboriginal art in Australia: Aboriginal art in Australia; Collecting Aboriginal objects - creating and maintaining order; Recognising Aboriginal art as art: from "primitive: to "high" art; Aboriginal art as international statement: biennales of Sydney -- Pt 8: Aboriginal art in Germany: Aboriginal collections as art: collection history; Aboriginal art and museums of ethnology: 90th birthday of Andreas Lommel Jubilee Exhibition; Art museums and ethnographic museums delineate art language and discourse; Advocacy of Aboriginal art: exhibitions since the 1980s: Iwalewa House; Aboriginal Art Gallery Bähr; Aboriginal art in ethnological museums; Public art institutions: exhibitions as transcultural exploration: Aratjara; stories -- Pt 9: Alphabetic literacy, art representation and symbolic power: symbolic power in conservativism and cultural assumptions; Representing Aboriginal art as an act of symbolic violence -- Pt 10: Transcultural exchange and artistic exploration : art as knowledge; Art as monologic appropriation; Art as dialogic enquiry: Nikolaus Lang and the "forensic" exploration of material; John Mawurndjul - innovating inercultural processes; artist intention; meaning; aesthetic innovation and change -- Vol. II: Plates; Bibliography; Appendix
Control code
000044873232
Dimensions
22cm.
Extent
359 pages
Isbn
9783639297591
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations, charts
Specific material designation
remote
System control number
(OCoLC)464847240
Label
On the reception of Aboriginal art in German art space : art historical and anthropological perspectives, Friederike Krishnabhakdi-Vasilakis
Link
http://ro.uow.edu.au/theses/3029/
Publication
Note
  • Includes glossary
  • "This book is based on my Ph.D research in creative arts which I undertook at the University of Wollongong, New South Wales, in 2009"
Bibliography note
Includes bibliography: p. 301-339
Carrier category
volume
Carrier MARC source
rdacarrier
Content category
text
Content type MARC source
rdacontent
Contents
Vol. 1 : Introduction : problem; aim of thesis; approach and theoretical frame; overview: structure of thesis -- Part one: The background: 1761-1871 culture and enlightenment : Historical background for the reception of Aboriginal art in Germany; Defining culture: historical aspects of culture; Identity politics and nation-building processes -- Art and science: cultural parameters through art history and ethnology: art history as hierarchical classification system; Art history as scientific analysis of art; Ethnology - a discipline evolves; Ethnology and Bildung; Images of other cultures - paintings by Eugene von Guerard -- Part 2: 1871-1900s German colonialism, nation-building and the modernist project : cultural reading of the self and other; Representation of cultures and the articulation of Other in literature, art and volkerschauen -- Pt 3: 1900-1945 : From cosmopolitanism to Germanness in art in the Third Reich -- Pt 4: 1950-2000s : The re-shaping of identity: art as demarcation: Division of art into European (art history) and non-European art (ethnology); Art history: a specialised reading of art; A paradigm of framing the Indigenous: analphabetic equals non-historical -- Pt 5: Cultural representation, incommensurability, authenticity: the dualism of literacy and orality : cultural representaton, incommensurability and the notion of authenticity -- Pt 6: Literacy and orality: positioning of art through institutional space : Reading Aboriginal art across the borders of literacy: Oral systems of knowledge -- Pt 7: Aboriginal art in Australia: Aboriginal art in Australia; Collecting Aboriginal objects - creating and maintaining order; Recognising Aboriginal art as art: from "primitive: to "high" art; Aboriginal art as international statement: biennales of Sydney -- Pt 8: Aboriginal art in Germany: Aboriginal collections as art: collection history; Aboriginal art and museums of ethnology: 90th birthday of Andreas Lommel Jubilee Exhibition; Art museums and ethnographic museums delineate art language and discourse; Advocacy of Aboriginal art: exhibitions since the 1980s: Iwalewa House; Aboriginal Art Gallery Bähr; Aboriginal art in ethnological museums; Public art institutions: exhibitions as transcultural exploration: Aratjara; stories -- Pt 9: Alphabetic literacy, art representation and symbolic power: symbolic power in conservativism and cultural assumptions; Representing Aboriginal art as an act of symbolic violence -- Pt 10: Transcultural exchange and artistic exploration : art as knowledge; Art as monologic appropriation; Art as dialogic enquiry: Nikolaus Lang and the "forensic" exploration of material; John Mawurndjul - innovating inercultural processes; artist intention; meaning; aesthetic innovation and change -- Vol. II: Plates; Bibliography; Appendix
Control code
000044873232
Dimensions
22cm.
Extent
359 pages
Isbn
9783639297591
Media category
unmediated
Media MARC source
rdamedia
Other physical details
illustrations, charts
Specific material designation
remote
System control number
(OCoLC)464847240

Library Locations

    • Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS)Borrow it
      51 Lawson Cres, Acton, ACT, 2601, AU
      -35.292556 149.118617
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